What I learnt about writing from Bob Dylan

Nah, this isn’t some kind of stupid ass fan love-in. I’m not going to go on about the deep philosophical meaning of ‘Blowin in the Wind’ – Bob Dylan’s written some real rubbish you know? ‘Wiggle Wiggle’ is kinda funny, but it ain’t no deep and meaningful classic that’s for sure.

But that’s the point. He recorded a lot of pretty dreadful songs – his muse completely deserted him for long periods of his career – but he still wrote songs, he still recorded them, he still turned up for work, waiting patiently, putting in the hours until lightening struck again. And it did.

And when it did, he was still there, ready to put it down.

There are three elements to this philosophy of his (I’m pretty sure he wouldn’t call it that, but hey):

  • Just turning up is heroic. The Never-Ending Tour is symbolic of this. He does 100+ shows a year and of course not all of them are mind-blowing – but he still turns up, in case it is.
  • There is no such thing as personal creative genius, just hard work. Bob has shown us that it’s OK to have creativity problems (jesus, if Bob has problems then I reckon we can), but we’ve got to make sure we keep working at it.
  • The art work is a life commitment, don’t rush in, take your time, relax and it will come. When he didn’t include ‘Blind Willie McTell’ on Infidels, one of his diabolical mid 80s albums, Bob Dylan justified himself thus:

    Relax. It’s just an album – I’ve done thirty of ’em.

    Sure enough, it turned up on the excellent Bootleg Sessions collection – a much grander setting for one of greatest blues songs ever written.

What do you think?