Foiled Diaries: On First Drafts and Producer Notes2 minute read

And, just like that, it’s May and we’ve only got 5 weeks to finish Foiled. So far, we’ve delivered the first drafts of 3 of the 4 episodes, and got notes from the producer on 2 of them.

First drafts are funny beasts. Every time we finish a first draft, we think that it’s more or less great. In spite of all experience, we hope that this time will be different and the producer’s only note will come back: ‘This is so good, would you mind turning it into a Netflix series?’

Strangely, this is yet to happen.

All first drafts have problems. Some bigger than others. But those producer’s notes land in our inbox like a letterbox turd, stinking the place out with their effortless skewering of the plot holes, character motivations, and the Purple Line of Doom that strides over pages of boredom.

Made all the worse by the fact that, deep down, we knew these problems were there all along, and all we can say is daaaaaaaaaaaaaaaamn.

The only remedy to producer’s notes is, of course, panic. Swiftly pursued by exactly the same attitude that got us into this mess: sitting down and writing a lot more words.

Nothing ever came out right first time, and this series won’t either. But it’ll get written the same way it did last year: patient hours in front of a computer screen. Putting the time in. Sitting there and writing until eventually something good pops up.

The skill, if there is one, is in spotting the good when it pops, grabbing hold of it, pinning it to the page and not letting go until it’s been bled dry.


This episode of Rule of Three with Miles Jupp analysing his favourite episode of Frasier has given us good writing energy. Now all we’ve got to do is avoid plagiarising!

One more thing…

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David

David Charles is co-writer of BBC radio sitcom Foiled. He also writes for The Bike Project, Thighs of Steel, and the Elevate Festival. He blogs at davidcharles.info.

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