This is the fifth in a daily series of articles taken from Elevate #10. I hope you enjoy the read – and come back tomorrow for more!
Mimu is late, bounding on stage, puffing, out of breath from running up the mountain into the Dom Im Berg cave. “There are many musicians,” she says, once she’s caught her breath, “that are actually preparing their instruments so they can work with every sound quality that that device is able to give. And I was thinking: but no one plays the audience.” She smiles. “This is such an unused resource and I really want to see what is possible.”
So she gets us to take out our mobile phones and exchange phone numbers with the person next to us. There’s a buzz of chatter and a clattering of bottles as feet shuffle. “Please exchange phone numbers really quickly,” Mimu says, “so we can proceed to the actual happening.”
The actual happening involves calling the person next to us, switching our phones to loudspeaker and experimenting with what Mimu calls “something like a really, really easy ping-pong delay with your phones”. The closer the two calling phones are to each other, the more apparent feedback loop. “And also,” she adds, “if that is working, you can add some sound like bah, oh, ah and you will see that it is going to be looped.”
“So please call each other now, switch on loud and enjoy the silence.” Something remarkable begins to happen. The cave is filled with digital crickets, or perhaps bats, chirping and kurking. Mimu holds the microphone to the front row phones. Monkeys join the crickets and wooahs loop around the walls of the cave.
“This is just a small example of an everyday hack,” Mimu shouts over the monkeys. “Just an example of how you can misuse, playfully, technology that surrounds you.” She laughs as the crickets continue their chirping unabated. “I used to call it the instant choir: human resources as an instrument.”