Chemistry

The second time he came, I was ready. I raised my wooden staff above my shoulder and I waited. I couldn’t see him of course, but I knew exactly where he was, what sounds matched what movements, the precise creak on the wooden boards as he moved closer towards me across the bridge.

The darkness was complete – but it would have been even at noon, under these trees. He was nearly fifty yards away, but I heard every movement as clear as night. The trees seemed to trap the sounds and pull them down to my ears. I’d stamped out the fire and the smoke was drifting across, towards the bridge, towards the approaching figure. He knew nothing, that was his mistake. He knew nothing of his future and he misunderstood his past, like she had before him. Was that why I was doing this? I don’t think so, I didn’t choose this – it’s sort of forced upon me by the decisions other people make – hapless decisions to move forward unknowingly, unthinkingly – like little bugs creeping along a branch into the web of a spider.

The first time he came, we were still friends. He bounced over the boards of the bridge like a simple kid.
‘Nick!’ He shouted, lifting up some sort of a package, wrapped in greaseproof paper. ‘I’ve brought some hash beef, here, we can cook it up.’
We settled down over the camp fire in this clearing I’d made in the middle of this gloomy old forest, where the wood scarcely ever got dry enough for tinder. Luckily, I’d brought some little sticks and things with me from the edge of the forest, where the late summer sun still beat down on the ancient bark.

By the light of the fire we brought out my ma’s old skillet and set about making up the dinner. After a while, with the hash beef browning in the pan and a kettle of water boiling up among the flames, we ran out of things to do and sat back, waiting.
‘She won’t be long,’ he said.
‘No,’ I replied. He was looking into the fire. I broke up one of the big logs with my staff. It made a little burst of red hot sparks.
‘We’d better take the beef off the heat just a touch, so it’s not burnt for her.’ John slid the skillet off the heat just a fraction. That wouldn’t do anything.
‘I wonder what she’s found,’ he said. I didn’t say anything, just prodded my staff into the fire a bit. By now the beef was beginning to lose any moisture it had to begin with so I took it off the heat altogether.
‘We might as well eat ours. There’s no point in it going cold.’ John didn’t agree, but took the plate I passed him.
‘I bet she’s caught up picking blackberries or something.’
‘Probably,’ I say.

The forest wrapped around us, in cedar silence. There was just the silence of the creak a little way off through the trees, running under the rough old boards of the bridge. This was my new home and I was happy to share it with pretty much the only people I’d liked at college. John was my room-mate from way back and now he’d got together with Susie things couldn’t have been rosier for them. I was doing fine too; I’d spent the summer camped out somewhere along the river, moving along slowly for a change of air every few weeks. But now it was nearly autumn and I needed somewhere a bit cosier, with a bit more cover from the October rains that hurl down in this part of the country. So I moved to the forest. From here I couldn’t even see the sky and, like I said, the sun barely made its way through the tall tall trees. But that didn’t bother me. When it rained I felt hardly a drop and the tarp I used was more for privacy than cover. Not that I needed too much privacy in these parts. I hadn’t seen a soul since July – apart from John and Susie of course.

I’d picked them up from Forgotten Creak railway station just two days before. When I say pick them up – I didn’t have a wagon or anything, I just walked right up to the station and we walked right back down the six miles or so with all our bags and gear and everything on our backs. I carried Susie’s stuff of course. We had an understanding, me and Susie, that John didn’t get. Don’t get me wrong, John’s a great guy, but he’s not very – subtle, do you know what I mean? Well me and Susie were walking up ahead, catching up on the good times, and John was crawling away down behind us, scrambling on the stony path. Me and Susie flew on up ahead – me because I knew the path like the back of my hand and Susie because she was high on seeing me and didn’t have any bags to carry. After about four miles I could see John was struggling. The sun was beating down still in this dog-end of summer and he was looking pretty red and sore. But I didn’t stop, I kept on walking – even faster if anything, with Susie by my side.

I’d met John almost by accident in fact. We were both in the same chemistry class at college. Not that either of us were studying chemistry, it was just a cool subject back then. We liked messing around in the labs, with free access to all kinds of fun chemicals. When I say by accident, we were both called up by the professor at the time and asked to take part in an experiment together. I don’t know why the professor picked on us, maybe because we were the oddest pair going, but he made us put on all the chemistry gear, all the eye glasses and lab coats and everything and took us down to the quad. He said it was going to be a pretty dangerous experiment – for one of us. He told us that one of us was going to set the other one on fire. I know – he must have been some kind of sadist or something. But we went along with it. As you can imagine, that was a pretty awkward moment. No one wants to be set on fire, but you don’t want to be the one who sets some poor guy on fire yourself, do you? I was lucky John was chosen with me. After a little moment of silence he said ‘Alright, you set me on fire.’ You can imagine my relief. Anyway, it turns out that this sadist’s told the whole damn college that there’s going to be some kind of a show and they’re all looking out from the windows all around the quad, looking out on the student whose going to be set on fire.

Don’t ask me how he did it – I wasn’t a chemistry major, remember – but he made John strip right off, with just a pair of shorts and a stupid looking net hat that was meant to protect his face. He looked like a naturist bee-keeper to be honest. Then the chemistry professor gave me some real plain looking gel. It could have been for your hair piece, you know? I guess this is why he needed another student to do the experiment; he could have been accused of molestation, rubbing this gel all over another student’s naked body. So there’s John in the middle of the quad with all the students hanging out of the windows, hooting and hollering, stark naked covered in this flammable gel. Me and the professor have retreated to a safe distance and he hands me a box of matches. I can’t believe it’s this crude you know. That’s why I reckon he was a sadist. I’ve got to open the box, strike the match and throw it at this poor kid who I hardly know, just some small town sophomore who thought he’d do a bit of chemistry to broaden his mind. Course the first match broke and the second one got lost in the wind, by which time John’s beginning to look a little grey. Third time lucky though and I’ve never seen anything like it.

As you can imagine that bonded us pretty closely and we ended up rooming together for a year, well, it was almost a year. Just around exam time I met a girl, Susie, who was always hanging around the labs. She told me about the day I’d set John on fire and how brilliant it had been and we kind of had a thing going. I told you we always had something that other people didn’t understand, a kind of chemistry. Anyway, it didn’t last and it’s not as though I was sore about it or anything, it was kind of inevitable that it wouldn’t last. I was too complicated I suppose. She wanted something a bit more dependable, someone who would take one for the team. Someone like John, that poor son of a bitch who volunteered to be a human torch. So like I said, after that summer me and John stopped rooming together. I went and lived in a tent just off campus for a while and eventually John and Susie got together.

It was kind of with my blessing to be honest. Neither of them ever really made a move. Susie kept coming out to my tent trying to talk to me, trying to make my come in and live on campus. Eventually I had to move camp without telling her before she finally got the hint. And John I saw between classes sometimes – junior year you can’t take electives any more, it all gets pretty serious. You know – I can’t remember what he did any more? English literature? Art history? some such crap anyway. So they got together and our lives went in separate directions. I think I came out the better. But then everyone would say that, wouldn’t they? I never really saw them again until Susie sent a postcard to my ma saying they’d got married and about how they’d love to come and see me during their honeymoon, for old times sake. I don’t know how they got ma’s address, she doesn’t even live there any more – it was forwarded on.

So that was that. They came down here to Forgotten Creek and I came down to pick them up, although it was hardly picking them up and then we’re sitting around eating and taking and they’re going off into their tent at night and I’m retreating to my tarp and that’s all there is. Then tonight, their last night, she disappears and me and John are just sitting eating beef hash in the silence with the trees all around and not a sound. She’s gone off for some scavenger food – blackberries she saw or something. And then he gets worried and all of a sudden he gets up and goes looking for her and then he’s coming back over the bridge for the second time and I’m ready and waiting.

How long is a short story?

My latest short story, Perched, is only about 850 words long. Yet I have put it into the Short Story section of my site – is this correct? How long is a short story?

So, to settle the matter with some hard statistics, I decided to interrogate my favourite short story writers: Ernest Hemingway and, firstly, Naguib Mahfouz.

From The Time and the Place (1991), we have:

  • Zaabalawi: approximately 5600 words, based on 400 words per page
  • The Conjurer Made Off with the Dish: 3600 words
  • The Answer is No: 1600 words
  • The Time and the Place: 3600 words
  • Blessed Night: 3600 words
  • The Ditch: 2600 words
  • Half a Day: 1600 words
  • The Tavern of the Black Cat: 4000 words
  • The Lawsuit: 2200 words
  • The Empty Cafe: 3600 words
  • A Day for Saying Goodbye: 3600 words
  • By a Person Unknown: 6200 words
  • The Man and the Other Man: 2800 words
  • The Wasteland: 3600 words
  • The Norwegian Rat: 2600 words
  • His Majesty: 1200 words
  • Fear: 4400 words
  • At the Bus Stop: 3200 words
  • A Fugitive from Justice: 3400 words
  • A Long-Term Plan: 3200 words

That’s 20 stories at an average length of about 3300 words per story. The range is from 1200 to 6200 words, but you can see the vast majority land in the 3200-3600 range.

Now for Hemingway. From In Our Time:

  • Indian Camp: approximately 1225 words, based on 350 words per page
  • The Doctor and the Doctor’s Wife: 1050 words
  • The End of Something: 1050 words
  • The Three-Day Blow: 3150 words
  • The Battler: 3150 words
  • A Very Short Story: 700 words
  • Soldier’s Home: 2450 words
  • The Revolutionist: 350 words
  • Mr and Mrs Elliot: 1225 words
  • Cat in the Rain: 1050 words
  • Out of Season: 2100 words
  • Cross-Country Snow: 1925 words
  • My Old Man: 4200 words
  • Big Two-Hearted River: I: 3125 words
  • Big Two-Hearted River: II: 3150 words
  • L’Envoi: 150 words

That’s 16 stories at an average length of about 1900 words. The range is from just 150 to 4200 words, with most hovering around 1000-1200 mark.

So I don’t know what we can take from that, except that short stories can be anything from a few hundred to several thousand words long. It also seems that different writers feel comfortable at different lengths for their stories. Mahfouz’s short stories tend to be three times as long as Hemingway’s, but you wouldn’t say that one is preferable to the other.

I am pleased to note that my story, at over 800 words long, is longer than three of the Hemingway collection. So I shall be keeping it in the short story section because it feels like a short story.

Perched

A crowd had gathered. I couldn’t see why at first so I moved closer. They seemed to be gathering about a tree. Of course a crowd standing around a tree is nothing to do with me, but I moved closer anyway. There were about ten or fifteen people, pointing and – not shouting – but raising their voices at the tree’s upper boughs. There didn’t seem to be anything unusual about the tree, there were branches and the branches had boughs and the boughs had leaves, which were just turning the colour of autumn, but none had yet fallen. It seemed a perfectly ordinary tree, with bark and little growths of lichen. But there it was: a crowd, pointing and raising their voices at a tree.

It’s nothing to do with me, but I moved to the edge of the crowd. There was nothing unusual I could see about the crowd either. They seemed to be people just like me, with clothes on their backs and rings on their fingers, with handkerchiefs in their pockets and some with ties about their necks. One woman in particular, wearing a head scarf, was pointing high up into the tree and almost shouting. I followed her finger and saw a tree with leaves and boughs and branches, with bark and with lichen and a man in a bowler hat.

He was perched high up in the tree with his fingers curled around the branch like a bird. He was frozen still, but his muscles were taut as if he were about to fly away. Which of course he wasn’t, because, aside from being a man in a bowler hat perched in a tree, he looked perfectly normal. In fact, I found my hand nervously moving to my own bowler, as if my choice of headgear might bring association with this most odd fellow.

The crowd, as I said, were not shouting, but were speaking in raised, almost coaxing, voices to the man in the bowler hat. Perhaps this was what made him look slightly tense. He seemed to want to make the flight, but was nervous of his ability; a nestling, needing a push. I noticed that the woman in the headscarf was also wearing an apron. She held a wooden spoon in her right hand and, as I said, was pointing at the man.
‘What are you doing bird man? Get back to work! Stop wasting our time! Come down and we’ll forget the whole thing!’

For the first time since I got there, the man in the bowler hat moved. With a quick shuffle he edged a little further along the bough, which shook its leaves. One or two may have floated down on to the heads of the crowd.
‘Come on,’ the woman with the wooden spoon was speaking again. ‘There’s nowhere for you to go, bird man! Come back down – you can have the rest of the day off – I’m sure the office won’t mind.’

This provoked no discernible reaction from the man in the bowler hat in the tree. And it was nothing to do with me, but the woman in the apron spoke again.
‘We’ve called your wife – she won’t be impressed at all. She’ll leave you for sure if she finds you sitting up in a tree when you should be at work! And what would your children think?’

The woman in the headscarf shook her wooden spoon and the crowd rumbled. The bird man flicked his eyes over to me, I’m sure. There was an awful look in them, an awful pleading. I couldn’t look back, it was painful, so I just looked down. It’s nothing to do with me anyway, a man in a bowler hat in a tree. The woman in the apron with the wooden spoon raised it still higher.
‘If you won’t come down, bird man, we’ll bring you down!’

And with that she bent down and picked up a stone. It was just a small stone, but she was accurate. The bird man made a funny noise that could have been a squawk, but couldn’t have been because men in bowler hats don’t squawk, not even when they are in trees. A few more stones flew from the hands of the crowd. Some hit, some didn’t. The bird man flapped his arms in defence and his branch lurched. A few more leaves floated to the ground.

The woman with the apron seemed unimpressed with her ballistics and directed the crowd to the tree trunk itself.
‘We’ll shake him down!’

Well, there’s nothing for me in a crowd looking at a man in a bowler hat in a tree. It’s nothing to do with me. I thought I should walk away, so I did. I felt the crowd surge forward. From behind me I heard the rumble of a tree, the heavy rustle of boughs and the light falling of leaves. Then an inhuman squawk, a loud thud and a cheer. It’s nothing to do with me, a man in a bowler hat in a tree.

Poem of Triumph for Maya

I pat my brow and take a bow and all the world’s beneath,
I take my hat and pat my cat and then I’ll brush my teeth.
After the show, after the climb and reach –
Do I dare to eat a peach?
Things like these – like playing up (not throwing up),
Learning to love and learning to teach –
(And here’s another – hand in hand with mother – walking on the beach) –
Seem too short and all we’re taught
Is hold on, hold on…

Office Haiku

Even mindless jobs
Need concentration and an
Eye for detail.

***

The office is hushed;
A bustle of lowered heads,
Slowly wasting time.

***

Query: How to log?
Each individually,
Or all together?

***

Wait for the download,
Watch the megabytes drip through.
Stare out the window.

***

Coordination,
Focused concentration and
Organisation.

***

Distant voices are
Arguing loudly about
Nothing important.

***

Disappointment is
Someone else appointed to
Do your job better.

***

Grande Ecole

She kept looking for the answer. The little girl was running from shop front to shop front, shouting her question: ‘When will I die? When will I die?’ She had long blonde curls and a fierce look in her eye that made the shop keepers laugh.
‘Never!’
‘In a very long time!’
‘Ten minutes if you keep up that racket!’
The answers were always different and the little girl started to get confused. She ran to the shop of her favourite grocer, Pierre. Pierre was an old man; surely he would know the answer to her question. Pierre laughed softly, not like the others, and hoisted her onto his knee and began to tell her a story:

‘A long time ago there was a little girl just like you who always questioned everything. She always asked ‘Why?’, ‘When?’ and ‘How?’ This little girl, who had lovely blonde hair just like you, cherie, learnt so much that she grew up to be very clever. She quickly learnt everything that anyone in her small village could tell her, but still found she had questions. She started to get frustrated with the villagers who could no longer answer her. The old people of the village looked on with sadness in their eyes because they knew that soon they would lose this beautiful little girl who asked all the questions.

‘She grew up fast and soon she was a beautiful young woman, impatiently counting the days until she would be allowed to leave the small village and go to Paris to study at the Grande Ecole there. That day arrived and all the old men of the village wept as she boarded her carriage, knowing that they would not see her beautiful face again, that they would die before she returned – if she ever returned. The old women of the village wept also, knowing that this curious young woman was going to learn secrets that had evaded them all their lives. Everybody wept because they knew that the young woman would not return for many years and that the village would not see the benefit of her great intellect and curiosity.

‘Well, the young woman, whose name was Therese, left that day by carriage and arrived two days later in Paris. This beautiful young woman had never been in such a huge city and knew nothing of the ways of the townspeople. So she started asking her questions: ‘Where can I stay the night?’, ‘How do I operate the trolley-bus?’, ‘Where can I take a carriage to the Sorbonne?’ She learnt the ways of Paris very quickly and soon settled into city life.

‘One day she decided to move from her room in the Hotel Cosmopolitan and so she asked a young man, ‘Where can I rent lodgings?’ The young man led her to a house where an old man sat outside, whittling a piece of wood. He stopped when he saw her and looked her up and looked her down. She started to feel uncomfortable, for she was very beautiful, so she asked, ‘Why do you look at me like that?’ The old man replied, ‘Because you are beautiful, I will give you good clean lodgings.’
‘Thank you. But how much will it cost me?’
‘Oh very cheap,’ the old man’s mouth cracked into a smile, ‘very cheap for a face like that.’
The young woman felt uncomfortable, but followed the old man into the house. He showed her a room, which was satisfactory and she paid a deposit of 15 francs.

‘The old man was a very attentive landlord and Therese would often find him waiting outside her door when she went to bathe. This made her uncomfortable so she asked, ‘Why do you wait outside my door when I bathe?’
He replied, ‘Because you are beautiful. I am an old man and it gives me great peace to see such a beautiful young woman.’
Therese couldn’t find the words to deny this old man his pleasure so lowered her head and didn’t say anything.

‘All this time Therese was studying at the Grande Ecole, asking her questions and getting her answers from her very intelligent tutors. One tutor, whose name was Jean, took a particular interest in her development and took it upon himself to ensure that she had full access to whatever materials she needed and also to his personal library. One day, after she mentioned that she was struggling to find money for tuition as well as food and even her very cheap lodgings, Jean offered to help pay for her room in the old man’s house. Therese thought this very kind and, because he was very intelligent, she trusted him and confided that the old man with whom she was staying made her feel uncomfortable. Upon hearing this, the tutor immediately offered her a room in his house until she could find more appropriate lodgings. Therese accepted with relief and immediately hired a carriage to move her few bags across town.

‘Jean’s house was much more convenient for the Grande Ecole and Jean himself was a very convivial host. They would spend the evenings talking in great depth about her interests and he would spend hours and hours answering her questions, sometimes even before she asked them. They would have long, relaxing dinners with wine and cheese. He had a taste that was delicately refined and he reveled in teaching Therese the subtleties of society. She had many questions about this of course, coming as she did from a small country village. She had scarcely thought about the village since being in Paris: the old villagers had been right to cry.

‘After two weeks of wine and intellectual lodging with Jean, Therese suddenly realized that she was supposed to find her own lodgings. When she told Jean of her intention, however, he grew offended and insisted that she remain with him. This made her puzzled and so she asked, ‘Why do you insist on me staying here?’ He did not reply, but left the room.

‘This was the first time that somebody had given her no answer at all and it made her think. He had not said, ‘I do not know.’ He had not said, ‘Please ask someone else.’ He had not said, ‘You can find the answer in this book.’ He had not said ‘I shall try to find out for you.’ He had not said ‘Examine the evidence and you will find out for yourself.’ He had not said anything. He had simply left the room. This confused Therese deeply and she went to bed that night with her mind in a frantic state. She could not sleep and tossed and turned until midnight. Jean’s house overlooked a church square and Therese could see from her bedroom window the tower of the church. The moon was high and shone its light over the clock face. The two hands of the clock were pointing straight up to the stars, as if pointing to the answer for her question. She stared out of her window as the clock struck midnight. She opened the window wide; perhaps the air would help her sleep.

‘As the twelfth note sounded there was a commotion of wings and, to Therese’s astonishment, a white barn owl landed on the eaves of the house just in front of her. She didn’t dare breathe as the owl surveyed the square below, seeking a mouse for prey. She was close enough to reach out and touch the soft down of the owl’s wings, but she didn’t dare move a muscle. The owl stood there, alert, its head rotating as its eyes penetrated the gloom. Its claws gripped the straw of the roof thatching and Therese felt like she was in a dream. The beauty of the owl in the moonlight haunted her and she grew bolder, inching her head closer to the owl’s. The owl caught her movement in his wide eyes, but stayed calm and rotated his head all around to consider her. The two stared at each other in the moonlight as the last echoes of the church bells drifted over the sleeping city roofs. Time seemed to stand still; the two creatures staring deep into each others eyes. Therese realised this was the moment she would find her answer. So she whispered, very faintly, ‘Why did he run away from my question, Owl?’
The owl looked deep into her eyes, his claws twitched on the thatch. He had her question and Therese waited breathless for the answer. But the owl batted his wings and, with one last look, took to the skies. Therese sighed and watched him disappear over the sleeping rooftops.’

There was a pause as Pierre stopped talking and smiled at the little girl.
‘Well what was the answer to her question?!’ The little girl almost screamed. ‘That’s not fair! Tell me the answer!’
Pierre looked down at the furrowed brow underneath the blonde curls of the little girl on his knee, ‘Sometimes, cherie, there are no answers; just moments.’

6th October

The streets would not forgive him. Cairo revealed herself, but at a price. Bert could feel their eyes, pricking his conscience, taking him apart limb by limb. The hawkers carried on their shouting match, but he knew their eyes were on him, the foreign. What were they selling? Was it the piles of plastic combs at their feet or was it something more precious? This man had all manner of plastic toys. Where had they come from? China probably. The new colonialism. We shall conquer the world by exporting plastic toys. First plastic toys, then… The business model worked, incredibly. In this world it worked.

A few others sold sweets wrapped in lurid plastic wrappers. Here and there were traditional food sellers. A man with a rough wooden cart was roasting sweet potatoes. An old woman, fat and wrapped in black was crouched beside a pile of tissues. All their eyes were upon him. Overhead the bridge flew over and down below micro-buses hurled past screaming their destinations. Even the birds stopped their pecking in the dust as he walked through the bus station.

What had brought him here? What unlikely, unnatural turn of events had brought him from middle class rural Germany to a bus station in downtown Cairo? Astonishingly, in this world, it was common. He looked up and could see ahead of him another blond man fighting to board a micro-bus. He had just past a Dutch looking woman heading down the subway. Suddenly he hated that blond, the unknown Dutch woman and, above all, himself. What right had they to be here? Bringing their Euros, easily buying the life that these hawkers could never attain despite working twenty-four hours a day, sometimes more. What sheer fluke, pure chance, unkind fate had bestowed upon them the right to jet into other countries and live it up with scarce a thought to where the next meal was coming from, when they would next wash with warm water or how they would sell enough plastic toys to shelter let alone school their children?

Bert knew where he was going. He was going to cross the road past the bus station, climb the stairway above the hawkers and stroll across 6th October Bridge in the evening air over to Gezira and on to his clean, comfortable hotel in Zamalek. His life was etched out ahead of him, he could see it, plain and clear in frustrating detail. What could go wrong? What event could possibly happen that could not be settled with a call to his credit card company or a visit to a cash machine? Even if he were hit by a car crossing this road now, he would be well looked after in the finest hospitals of Cairo and the man who hit him would doubtless spend the night in jail. His place in this city was cosseted away behind the security at his hotel in the tree lined boulevards of colonial Zamalek. There was no obstacle to his comfort and it was all thanks to pointless, aimless luck. Of course he worked but, in this world, incredibly, one hour’s work in Germany was equivalent to perhaps three days’ work for these hawkers. Probably more. Bert didn’t like to think about it because there was nothing he could do about it.

As he lowered his head a shout and a look caught his attention. A man about his age was waving a flashing elephant in his direction. Bert heard his name in the look. There was a flashing plastic train careering around a yellow plastic track at the man’s feet. Bert walked over, entranced. The man looked at him, “Seer! Mister!”
“Bikem?” Bert heard himself say.
“Da?” the man said, indicating the elephant.
“La,” Bert almost whispered through dried throat, “kull haaga.”
“Kull haaga?” The man’s eyes grew half an inch in diameter.
“Yes – it all. How much for everything?”
The man hesitated, calculating, measuring disbelief against opportunity.
“I want everything you have. The table, the stool, that cloth.” Bert was warming up, pointing at everything the hawker used to hawk with. The man was clearly unnerved by this mad foreigner and glanced across at his neighbour, who was beginning to take an interest. They fired a few sentences between themselves. The other man laughed and said, in surprisingly good English, “You want to buy all Mohammed shop?”
“Yes. I do. I want his entire stall. Everything.”
The man laughed and explained to Mohammed, who stammered a reply.
“Ok mister, Mohammed want 500 pounds.”
Well, eid has come early for Mohammed, Bert thought.
“I don’t have that much on me, but here is 250 pounds Egyptian,” Bert started emptying his pockets, “50 dollars US…and my watch.” Mohammed looked stunned.
“Is that enough?”
Mohammed laughed this time and took the money eagerly, counting it out for himself.
Bert laughed as well and said, “Now go, my friend, go and enjoy yourself! I’ll take it from here.”

Bert had never done anything so reckless. He felt like a new man. He had a vocation, he had comrades in the fight for survival. He and Mohammed had swapped places. Now Bert was the plastic toy hawker under 6th October Bridge. Mohammed was free, without a care in Cairo. Bert slipped into the world of a real Cairene. He grabbed the flashing elephant with zeal and started hawking. The other man, who introduced himself as Mahmud, was laughing heartily. Mahmud had never seen anything like it.

Bert hawked all that night, all the next day and into the night again, shouting himself hoarse. He stayed there twenty four hours straight, high on the intoxication of freedom. He didn’t sell a thing, but he didn’t care. Egyptians wouldn’t buy from a foreigner and foreigners would never buy the rubbish he was selling, certainly not from a mad German. He drew a lot of stares, but he didn’t care one bit. He was a Cairene hawker.

The police arrived after about eight hours and tried to get him moved on. They asked him where his hotel was and threatened to call the embassy, but Bert held firm and the hawkers, his new friends, argued his case in impassioned Arabic. The police moved to a respectful distance but stayed watching, clearly suspicious of this extraordinary foreigner. A gang of baladi kids came up to him and started teasing him, “Mister, mister! How much mister!”, delighting in this reversal of fortunes. Then they started trying to steal from him, mobbing him with their strong little hands. But Mahmud had eagle eyes and whipped a length of knotted rope at them. The kids fled, screaming in delight.

After about fifteen hours of non-stop hawking, Mahmud offered Bert half of his sweet potato to keep his spirits up. Bert gratefully accepted, they were equals, sharing food like true comrades. A few ragged looking men shuffled past on their way back from sweeping the roads, most just stared at him with dull eyes, but a few hissed. The police tried to get Bert to leave again, stating that it was against the law for him to work. Again Mahmud defended him by arguing that Bert hadn’t sold anything so technically could not be working. The police moved off again, buzzing into their radios.

About twenty hours in, an old lady shuffled up to Bert. It was clear that she was very poor and as she got closer Bert could tell that she was half blind. She used her hands to rummage through Bert’s collection of plastic and finally selected one, a chicken with furry feet who played a banjo when you twisted its neck. Bert looked into her darkened, unfocused eyes and felt his heart plunge. He was still far from equal. He could not sell her the chicken and shooed her away before his weakness showed. Mahmud noticed but said nothing. They watched the old lady shuffle off the kerb onto a bus, the chicken merrily banjo-ing the tune to Achy Breaky Heart.

The old lady had shaken Bert and he began to feel increasingly uneasy about shouting his wares into the night, increasingly self-conscious. He grew quieter and less eager for customers, fearful they would expose him for what he was. As his twenty-fourth hour approached, Bert started panicking, he started seeing the desperate eyes around him, he no longer saw comrades. How Bert had wanted to join them just twenty-four hours before. Now he could not imagine anything more claustrophobic.

As the twenty-fourth hour passed Bert saw a familiar face approaching his stand from across the bus station. Mohammed was returning and he did not look in the mood for conversation. Halfway across the road he started shouting at Bert. Bert couldn’t understand most of the words, but gathered that he was not welcome.
“Imshi! Get out! Get out! Thief!”

Mohammed was waving his arms around the stand of plastic toys. He picked up the flashing elephant and waved it in Bert’s face. Bert sensed the other hawkers closing in, forming a circle around him. The night was dark, lit from the fires of potato ovens, reflected in the dark eyes of his former comrades, the men he had spent the last twenty-four hours side by side with. Loneliness struck him in the chest. He lifted his arms as Mohammed started to beat him with the flashing elephant.
“Go! Get out! Thief! Steal my life! Get out!”
Mahmud raised his knotted rope and bared his teeth in the gloom. The cars and taxis raced overhead and Bert eyed the staircase. He ran. The mob chased him out of the bus station, out of the market and up the stairs, where they watched him flee across the Nile into Gezira. They watched him run until he was swallowed up in the night among the tall trees of Zamalek where he could do no harm.

6th October Bridge shook with traffic as the hawkers carried on their shouting match and a flashing plastic train careered around its yellow plastic track. The streets had forgotten him.

City of Dust

It was a time of dust. It was a time for decay.

The year was turning, slowly, from quiet winter to noisy spring – but Cairo doesn’t notice. The cars barricade the roads and buses blockade roundabouts. A woman sitting behind a cart of roasting chick peas, shoe shiners scrub, scrap metal merchants clatter from gutter to gutter and the dust settles around them.

He awoke with a choke. Thick mucus caught in his tonsils and he’s bolt upright hacking into his sheets. Scrambling for consciousness, scrabbling for a fight or flight response. This was the return to Cairo. The Hilton looked over into his room, across the Nile. The constant lazy motion of the Nile washing steadily to the sea, the constant frantic jerk of the cars beating their way to City Stars, to Talat Harb, to Agouza, the smiling swagger of loose limbed Cairenes swaying through the dust.

But he didn’t have time for metaphors, for adjectives vermilion; she was here. He could sense her in every speck of dust, even if she was only three parts per million, he could detect her in the air, on the pavements, in the dust thickened trees. They took on the appearance of a house plant that hasn’t been taken care of. Left in a corner, forgotten. No rain touches them, no cleaner dusts their waxy leaves. They lean over the roads in Zamalek, begging to be touched, begging to be shaken out of their torpor.

But he had no time for trees either. He hacked one last time into a tissue and got out of bed. He moved over to the bathroom and washed his hands. There was dust on the mirror and his face looked back through the haze. He looked older. Or younger. Or foreign. Happy. Sad. Tired. Excited. But he didn’t have time for making faces either.

Downstairs in the hotel he left the key with the manager and stepped into the evening. The dust rose to meet him carrying smells of gasoline, of searing meat, of crushed herbs, of sweat. He cleared his throat and set off towards her. He felt like a blood hound on the scent of a memory. He turned instinctively, feeling his way towards her. He could find her blind, he could stretch out his arms and his feet would carry him to her, borne like the dust on the loose wind of Cairo. Mohammad Mazhar, Mohammed al-Maraashly, Bahgat Ali: the names floated back from a year ago, binding memory to reality. The embassies and the days they walked these streets: there’s Iraq surrounded by tall palms, Myanmar isolated behind crumbling walls, Sweden with every brick in place like it was sent over flat-packed. As he walked, the Nile pleaded with him to drag his feet, but he bent his head and turned towards her scent.

Broken pavement, crushed Baraka bottle, branches with leaves resigning, dog shit smeared. The road passed below him, marking time, playing a show reel of human waste. The cafe was ahead. He could see its lights. He could remember its lights. His memory was racing to meet him. He was suspended in time and his memory was swelling every moment. Soon it would join his reality and he would be enveloped by the same words, the same touches, the same caresses that belonged a year ago.

The entrance swallowed him and the cafe was delivered to his senses. He must have looked lost because an immediate waiter bobbed into his vision, “Sir?” He looked down, his head beginning to throb and said automatically through mucus, “ayiz shay min fadhlak”. The man nodded curtly, “hagga tany?” What? He paused, then remembered his lines, “shay bas, binayanaya, shukran.” The man gestured to a chair nearby. He sat down heavily and became aware of the other patrons. Men. Mostly. Mostly smoking. Mostly staring at the new arrival. The tea arrived and he took it in his hands. Too soon. The glass burned, the skin of his palm shriveled in self-preservation.

She would come. He could feel her coming. Like he used to. He could feel her so strongly that he thought it idiotic that they were meeting in a cafe at 7, as if they needed to arrange a time and a place. He could have found her in a sandstorm. He started to relax and replaced his hands on the small glass cup. His hands, reluctant, grew bolder and soon sunk into its warmth. The glass was patterned in gold around the rim. Of course it wasn’t real gold, probably just an alloy. He turned his gaze on the cafe. Its high ceilings and carved decoration spoke of an elegance that it barely tried to maintain. Dust lay everywhere human hands did not care to reach. But the bar was clean enough and there was a man polishing a window. He had seen him doing that earlier in the day. Was it the same window? Was the man a memory? Was there a persistent stain, refusing to be polished, refusing to be scrubbed out of existence?

She would come. She was here. He took a first sip of the tea and the warm liquid left a breath of mint before sliding down his sore throat. He could feel, now, a warmth in his stomach. The tea had settled and was making itself at home. It was a shame, he thought, that in a short time the tea would cool and digest and he would be left with nothing but an urgent need to relieve himself. A short moment of warmth followed by a repulsion. He looked at the tea in disgust. He was just looking at his future. He was inevitably on the way to pissing out the contents of that glass, gold rimmed cup. In fact, looking at it closely, it was already a sepia yellow colour. It wouldn’t even look any different coming out as it did going in. Maybe his piss would even taste of mint. Why should he piss? Why couldn’t he enjoy his memories of mint tea without the hassle of pissing? After all, this particular cup of tea would add nothing to his memory. He could already classify, identify the taste and feeling of mint tea, the warmth, the slight clean taste, the roughness of the scorched tongue – so why should he bother with the drinking and the pissing? He knew he would though, eventually. Just like he knew she was going to come, eventually. And what else could he do whilst he waited? So he lifted the glass and put his lips to the gold rim and tilted his head back a little.

The liquid, predictably, slid over his lower lip and over his tongue, which he lifted so that the mint flavour slipped down onto his lower palate before gently swallowing through his thick throat. Thereafter the sensation was of warmth. He tried to follow the warmth down to his stomach but was disappointed to notice that only the first sip can be traced that far. Subsequent sips seem to get stuck somewhere higher up. He almost felt full. He should stop focusing on the tea. It was just tea. Just something to do while he waited. Time didn’t seem to be passing. The same cars droned past outside, the same combination of lights and horns, shouts and breaking screeches. The waiter in the cafe made the same movements, back and forth, sheesha, tofaah, shay, ahwa, sukkar. The patrons made the same gestures to one another and the speech was indecipherable. They seemed to be talking about the football. Or the weather. Or memories. Or the dust. One is pointing. One raises his glass. One pulls on a sheesha pipe. One just sits, still. An old man is sitting near a large plate mirror, staring. Time didn’t seem to be moving at all. Time didn’t seem to be moving at all. Time didn’t smee toby moo thing at all. Team dad int smeethabee moofin atorl. Moofin atorl. Orl.

He jerked up with a start. What had happened? The waiter looked over at him sharply, but continued his movements. He was choreographed and couldn’t miss a step. She was coming, wasn’t she? He could feel her coming, just like he used to. He could. The smoke in the cafe mingled with the dust, filling his lungs with a weight. That must have been what made him drift off. It had got so smoky that he wasn’t even sure if he could still see the old man across the room. He could see the mirror, or thought he could, it was hard to tell what was reflected and what was real. He could feel time receding now, the moment was reeling away from him. His memory was clouded in a haze of smoke and dust, he wasn’t sure anymore about anything. Was she coming? Was she still? He closed his eyes and tried to concentrate, but behind his eyes his memory was out of control, it was lurching about, making him feel nauseous. It wasn’t that he was forgetting, it was that the time was gone: an impenetrable haze of dust had settled between him and his past. She wasn’t coming. It was a time of dust. It was a time of decay.

Outside Mornington Crescent Tube Station

Right now outside Mornington Crescent tube station in London (at 1825 on Thursday) a man in a green, black and pale blue striped jumper, peaked cap and khaki trousers talks on his mobile telephone, one hand in his pocket, he just strides up and down the street.

In the background some scaffolding has been erected against Greater London house and there is graffiti against the slate grey hoarding. The trees stand and at their foot are eight mopeds and an assortment of parked cars. The traffic on the main road is busy.

The man is wearing earphones around his neck and a bag slung over his shoulder

“This area is covered by CCTV.” A yellow sign with a stark black image of a camera in 2D above the lettering. A discarded television lies beneath this sign

Two cyclists drift across the main road casually, with no regard for the traffic. Three black youths, one riding standing up, tall on the back wheel with his hands on the shoulders of the guy pedalling. They are not wearing helmets.

The scaffolding is by a company called Beacon. There is red and white tape around some of the poles. The building rises to six stories high. The trees are patterned like camouflage, mottled lichen greys, ash whites, greens, browns. The leaves are dark green, light green, leaves cut out from a pattern using those scissors that automatically cut serrated edges.

Russell Square

The warmth of the sun and the idle chatter of Spanish transports me, a dog sniffing the ground and people walking, talking, sitting, relaxing, soaking up the sun. Mothers with young children – one fallen flat on her face – the dangers of her scooter are obvious. The fountain blows foaming water. She’s back on the scooter, the Spanish turns faultlessly to English as a friend approaches. Round and round the fountain goes the little girl on the scooter. Another girl joins her, observes the water’s edge, doing nothing but enjoying the movement of the scooter. She pushes, pushes, pushes and then lets it roll – oop – one foot in the water. She goes and parks up next to mother.

A man in a scarf, thick black coat, heeled leather shoes and a black hat walks swiftly by – a swarthy look contrasting to the pink and fuchsia of the little girl.

Opposite, two police officers talk to a man, standing, pointing. Another man sits and the dog plays around them. They are taking details. The man sits and I can see that he is aged, with a flat cap and white beard. The mother bends to take a photo of the child and the dog interrupts, sniffing at whatever that is. He leaves to take a piss. The man talking to the police I can see is holding a can of beer – seems a little early to be enjoying that. Perhaps they are homeless. The mothers are beautiful, well made up and sporting sunglasses and accoutrements of fashion. You can tell the people who were dressed by seven a.m. – they have coats folded over their arms, not expecting the heat of this sun, which has been hidden by the cold winds blowing through town.

The gardener talks to the old woman during a break- he is a Rastafarian – gumboots, green combats, black t-shirt and black hat holding his hair in. He seems to be an engaging man and I’ve frequently seen him in the parks around here. He does a good job and I like to think of him, living with the land, even in the city. His beard and face bear the marks of a life lived. His priorities are obvious: the land comes first. The city would be nothing without the green of the earth and spring. What would the office workers do without the thought of a stroll through the park en-route, or the lunch hour spent lying flat out on the warmed grass? He has a couple of jumpers and a rainbow scarf of some description – a piece of fabric he always wears.

A group of three men sitting on a bench split up to take their leave – the third stands slowly – they are all old, but he is older and moves even more slowly in the same direction, his blue coat having a waterproof complexion.

The Spaniards say goodbye – I say goodbye quietly. Everyone is very casual around here, the circular shape of the centre of the park provides a natural cat walk for the passing people, in a good mood on account of the sun and vaguely smiling because they know they are on show, the runners even more so – not running around the park but bisecting it – cutting a diameter through it.

The Rasta laughs loudly and the old woman’s body shakes quietly. They are talking earnestly and happily. The child wants to play in the water and the fountain doubles in size. The girl lets out a controlled squeel of excitement. The wind catches the water and blows it softly over them, air-conditioning two blonde girls, daughters of two black-haired beauties.

A man walks through the park, head bent low, suit grey and open but head and shoulders still tucked over himself, still in winter stance, a typical Englishman, broken by the weather. The weather which governs our constitution coats, which breaks our necks and our spirit. Heavy clothes which can only weigh us down, lead coats that take us to the bottom of the ocean of drizzle.

The Rasta has gone, the old woman too. The dog plays on the bench between the two old men, the police are gone, the old men stand and drift away, stopping to talk to a woman on a wheelchair motorised, the dog yelps excitedly and jumps up at his master. A woman is making the rounds with a microphone asking questions, getting vox pop (which I suppose is Latin – vox populi – voice of the people). She has red hair.
“If you could be anywhere in the world right now, where would you be?” She’s from SOAS radio. She almost vanishes in the sunlight. The girl next to me answers, “Romania, because that’s my home.” I answer, “Vietnam, because my friend’s there.” I don’t tell her that I study at SOAS too.

The man in the grey suit walks back again, the same step, the same stride and the tie flowing over his shoulder. The Romanian’s perfume fills my nostrils. The raven haired mother’s husband arrives – he looks Mediterranean and plays with the girl, lifting her and attacking her with his teeth, burying his face in her side.

An old man, grizzled beard, wearing a woolly grey-blue hat with Tottenham written on the side comes to empty the bins. He is wearing a fluorescent jacket, a marker of his officialdom. The fountain falls to an ambient trickle of water, just a small puff of water surrounded by two rings of six acolytes – twelve, like the apostles. A man comes to the centre of the circle, mutters something and then sprints off in the direction of the tube. The girl splashes in the water, the sunlight sparkling off the surface of the concrete. They are in silhouette and the flakes of sunlight, starlight, jump up and she tries to go deeper, but is drawn back – where did the scooter girl go?

An old man in a wheelchair, thoroughly wrapped up, takes the air, pushed along by his aide. His aide, wearing a mischievous grin, pushes him towards the water, but swerves away at the last. The old man leans up and mutters something to him from inside the folds of his scarf and hat and coat and blanket. The aide beams on.

I could stay here all day, but the family have left in unison and the pigeons go back to their paddling. The Romanian reads, the tourists struggle with a map, the bin-man finds more litter. Two more tourists enter the scene, a man on the phone enters the circle, stands and leaves the way he came. A woman with a puffa jacket and a shoulder-swinging stride goes from left to right and the whole world is a stage, everyone is performing, even the old man, eyes closed, hands folded in his lap, his stick between his legs, relaxed, facing the sun, whispering, “Take me away, take me away.”

Spring in the City

It’s Spring in the city!
But how can you tell?
The concrete’s the same,
And so is the smell.
It’s Spring in the city!
But how would you know?
The bus is still late,
The tube still runs slow.

It’s Spring in the city.
You haven’t a clue.
Your pay is still bad,
Your rent is still due.
Spring in the city.
One hour’s less sleep
Is all that you notice.
Monday morning. BEEEEEEEEEEEEEEEEEP.

But look! In the parks, the gardens, the squares-
All the accountants have abandoned their chairs,
The stock-brokers have forgotten their shares!
Secretaries, actuaries, bankers, newsanchors-
All the adults have turned six in the sun.
Boys – Frisbee toys radio noise all the joys –
Girls – dancing whorls spinning twirls hair that curls –
Looking sooooooooooooooooooooooooo pretty –
And that’s when we know it’s Spring in the city!

Orion, DC From the days of Gilgamesh, the days of Achilles, the days of Saladin he’s been drawing that bow and the barb will always lodge in my heart: a merciless wound that, never fatal, will bleed whenever the night draws in.

I wrote this last night after reading a passage in Naguib Mahfouz’s Cairo Trilogy – where he writes so beautifully it makes you want to give up trying – on the subject of an unrequited love. But it got me thinking about the phantasma that is the imagination and specifically about the water and powder of fantasy and memory…

I have a fantasy about lying in the summer grass with a girl – we lie at right angles to each other; she rests her head on my chest, and plays with a piece of grass, laughing sporadically and gazes, twisting her head back, into my eyes which focus on the skies above. One hand rests, cradling her head; the other, holding a straw, casts a swathe across the heavens.

I’m talking into the soft evening twilight, speaking gently of Cassiopeia, of Cygnus, of Cepheus. As the pink fades into violet velvet, the stars pick their patterns through this tapestry thrown across the horizon. Summer suffocates our senses and the evening releases a hundred herbal scents into the air, the earthy planet warms our bodies and the softening grass supports us. Continue reading Orion, DC From the days of Gilgamesh, the days of Achilles, the days of Saladin he’s been drawing that bow and the barb will always lodge in my heart: a merciless wound that, never fatal, will bleed whenever the night draws in.