Lorenzo looks me in the eye, finger tips pressed together, and delivers his final verdict:

Seriously, there’s no point. Why would you even do that? Why?

Greetings from the portico-shaded streets of Bologna, where I’ve spent the past week relaxing — and, in peak moments, getting really, really bored.

Hence my appearance in the tourist office of Piazza Maggiore and the kindly intervention of Lorenzo’s baffled condemnation.

This is a story about boredom and Bologna’s World Heritage Site.

Boredom

We can think of all human emotion as lying somewhere along two axes of ‘activated’ and ‘deactivated’ brain states.

At polar ends of the activated axis we have sensations of elation (positive) and distress (negative), while at either end of the deactivated axis we have relaxation (positive) and boredom (negative).

What’s interesting is that we are at our most creative when we are either elated or bored. Relaxation, it turns out, is a bit meh — uninspiring.

According to this 2014 study by Karen Gasper and Brianna L. Middlewood, this boost in creativity comes because both elation and boredom make us seek out novel experiences.

When we’re elated, we’re well up for anything. And when we’re bored we’ll do pretty much anything to shake ourselves out of the torpor — even crappy things (as found by researchers Bench and Lench) like voluntarily giving ourselves random electric shocks.

After the non-stop hectic mess of the past month, cycling from Glasgow to Milan with Thighs of Steel, I was in desperate need of some restorative boredom.

A week in Bologna yawned ahead of me.

On Monday, uncertain of the precise voltage of the Italian electricity supply, I spent a listless half hour on Boring Games.

A ‘game’ called leftRight was particularly unstimulating, clicking the buttons ‘Left’ or ‘Right’ in order to print ‘L’ and ‘R’ character artwork:

When that got too exciting, I watched someone play a video game in which nothing happens. For eight hours.

That dealt with day one of my holiday. But how, I wondered, staring at the featureless expanse of ceiling above my bed, would I mine enough ennui to last the week?

The demise of the telephone book and the rise of the Internet has really foreshortened the tiresome traveller’s repertoire of pointless activities.

That’s when I discovered that the old town of Bologna has 38km of porticos, colonnaded, arcaded streets, crying out to be walked in their labyrinthine entirety.

Fearful that such a ridiculous idea might already be a firm fixture on the tourist trail, especially since the porticos were inscribed as a UNESCO World Heritage Site last year, I went to see Lorenzo at Bologna Welcome.

I needn’t have worried.

Walking The Portici

Not only have the porticos of Bologna not been mapped, not only have they not been walked, but such a tour would be a blasphemous insult to the fundamental reason for their existence.

Lorenzo was quite clear:

Let me give you an example. There is a park, the Park of Montagnola. You go there — and I’m not saying you should go there, but if you are passing — there is a very cool statue.

There are four ways to the statue, but there are also dealers in the park, you know? You walk up one way, you are at the statue. So why walk the other ways, with the dealers? There is no reason to do that.

I nod enthusiastically. ‘Exactly!’

Lorenzo tosses his head: ‘It’s like wanting to walk all the freeways in your city — after a while they are all the same!’

I nod enthusiastically. ‘Exactly!’

I’m thinking of the absurd futility of the every-single-streeters, walkers and runners who use A to Zs or CityStrides to mark off, well, every single street in their city. Or, in the case of a Canadian I met with this mission, pass The Knowledge.

Lorenzo is thinking of my mental health.

The porticos are where we go to meet friends, where we chat, have a drink, eat. They are nothing by themselves. Seriously: just go out and meet people — that’s the only way to understand the porticos.

Despite his misgivings over my desecration of his city, with the heavy heart of a noble man paid to enable idiotic tourists, Lorenzo hands over a map of the old town.

All the streets are here, all the porticos. You will see. There is no reason to do that. You will get tired of all the same view, the same view. But seriously: keep me posted.

I switch on my GPS tracker and begin.

Following my paper map, crossing off streets without porticos, tracing back and forth the ones that do, pursuing dead ends, blind alleys, crescents and courtyards, I fall into the monotony, the horror and freedom of this empty reverie.

15km of walking and over 60 photographs later, I haven’t covered a quarter of the city.

I find myself agreeing and disagreeing with Lorenzo. Each stretch of portico is the same and different.

Superficial architectural differences, of course: wood, terracotta brick, marble pavements, vaulted, domed, concrete slab ceilings, columns Doric, Corinthian, Bolognese.

But despite Lorenzo’s concern, the portici are a way into the life of the city. A postive constraint of a dérive, leading me through the streets, almost but not quite at random, nudging me into the creative act of noticing.

A missing cat poster. A beaked day-glo naked skulled statue on wheels ratchet strapped to a pole. A plaque dedication to a partizan killed in the second world war. Graffiti telling me that my flies are down. Anarchist, No Borders slogans: ASSALTA IL CIELO. Gumball machines, condom machines.

I never know whether the next door will open to a tabacchi run by Bangladeshi handing out cups of lemonade or a thirteenth century church of Saint Bartholomew and Gaetano.

Set into niches in the walls are shrines to Madonna and vending machines selling legal cannabis. Sometimes side by side.

At one point, outside the Oratorio dei Bastardini, where the offspring of students and whores were raised, a warm wind snatched my map from my hands and the updraft lifted it high into the vaults where it danced for a full minute as first I flailed and then I laughed on the flagstones below.

With even the portico itself mocking my dependence on direction, I turned my attention to the life-under-arches that Lorenzo spoke about.

Men lying in the shade, some with a cap of coins in front of them. One leaps up and shouts my name when he sees me.

A man ahead whose terracotta trousers matches the terracotta paint on the walls. Lovers twisted around one another. A student leaning against a column waiting for her email to open.

Smokers smoke greeting each other across the columns’ shadows cast. A courtyard glimpse of family life. Osteria and trattoria preparing for the evening, metal chairs clattering on cobbles.

As my spiral turns back towards the Piazza Maggiore, the tourists converge with a strangely listless jibberjabber: ‘I appreciate architecture so much more now,’ one young American says to another, without answer.

She sounds bored, but yet not in the creative blank space that I have been seeking. I wonder if there’s a sweet spot of boredom that the numbered tourists sights overstimulate.

Passively reading the phone book leads to a more creative state than copying out the phone book, so perhaps shines, frescos and statues take tourists one notch higher on the boredom scale: not high enough for elation, but not low enough to allow for creative daydreaming.

I walk back up the steps to the tourist office: it’s two minutes to closing and Lorenzo is cashing up the till.

He smiles and almost shakes his head.

Now Lorenzo’s Way

After my long day’s walk under whitewashed ceilings, I feel almost as indignant as a Bolognese local when I read that the porticos garner a paltry 2.83 stars on World Heritage Site. Beloved Rome, Venice and Florence all score over 4.58.

The written reviews of Bologna bemoan the imprecise, unexceptional, ineffable heritage value of a simple covered walkway.

Even as I agree that there is not much to see, in the traditional sight-seeing sense, I feel that these travellers have somehow missed the sensation of soft wonder that plays between the columns for anyone willing to suspend their qualifying instruments.

Only Maurice, from Switzerland, seems to have captured, in ALL CAPS, what Lorenzo impresses upon me again at the end of my walk:

In fact like the modern videogames Porticoes are INTERACTIVE but they are all TRUES…Here people get the joy to live and to do something together and Porticoes, are the glue that make it possible…

So the next day, I go out and try the porticos Lorenzo’s way.

Instead of walking, I meet people.

Sitting on the polished kerb of the portico outside the Cremeria Santo Stefano, sharing gelato of fig, marscapone and chocolate with new friends, I concede the point to Lorenzo.

If life here is a poem, then porticos are the metre: Bologna is what happens beneath the arches.

I’m spending this weekend supporting young people as they devise and execute their first ever overnight outdoor expeditions. Pretty cool.

I am also cautiously optimistic on reading the following news that they might even have an outdoors when they grow up:

Analysis of climate pledges by nations at the COP26 meeting indicates that such commitments could ensure that global warming does not exceed 2 ºC before 2100 — but only if backed up by short-term policies.

It is easy to set ambitious climate targets for 30, 40 or even 50 years in the future — but it is much harder to enact policies today that shift energy systems towards a more sustainable future.

I’m a believer that the best thing you can do for the planet is be here. Properly be here. Show up to nature in all your glory and bask in the wonder of being.

Happily, Sunday is also the ninetieth anniversary of the 1932 Kinder Trespass, which has become a potent legend in the fight for our right to roam.

As I wrote in my anniversary article last year, ‘spending time in nature is the keystone of a healthy society and, in England and Wales at least, there is not enough nature to go around’.

These are not idle words, but based on scientific findings like this, from a Spanish study published last year:

Individuals with greater nature relatedness are more likely to adopt a sustainable lifestyle and have greater well-being. … This result implies that by nurturing nature relatedness, societies will achieve the double dividend of well-being and sustainability.

Again: for the sake of our future and the future of our children, we need you to trespass and win back our inalienable right to nature.

Stay honest, people.

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What is this?

We are almost a third of the way through the year and, happily, I am almost a third of the way through my target of 100 Days Of Adventure for 2022.

As it happens, 100 DOA is a low bar for this year, what with me spending six weeks on tour with Thighs of Steel in the summer.

I’m exceptionally lucky that my hobby has become my job. Starting on Tuesday, for example, I’m basically being forced to spend nine days cycling from Kings Lynn to Edinburgh.

It’s work, I tell you!

This is also the fourth instalment of my post-Brexit, mid-Covid, pre-Apocalypse cycle around Britain, a journey that I first sweated out in the 58 days after the death of my nan in 2011.

I pedalled into Kings Lynn on 5 August 2020, following in the footsteps and pushsteps I took on 21 July 2011, after my hapless police auction bike had bust a spoke for the nth time in five days.

On Tuesday, I’ll catch the morning train, just as I did after buying a new bike in London back in 2011 (RIP Martin), and continue north into Lincolnshire, Yorkshire, Northumberland — and Scotland.

My younger self managed to reach Edinburgh inside a week, cycling nearly ten hours a day to cover the 884km at an average of 133km per day. Yikes.

Luckily, I have eight full days and two half days. I’m also reassured that the route I have planned out on Komoot is only 654km.

With the infinite zoom of a smartphone in my pocket and the all-seeing eye of a GPS on my handlebars, cycle touring is a far cry from the bygone days of map creases and keeping the sea on your right.

It means that I can worry less about navigation and concentrate more on story-seeking. I can’t wait to get started.

This story is coming to you live from the tramways, Thai eateries and new build blocks of Paris.

Yes! For the first time since December 2019, more than 800 sleeps ago, I’m not in the United Kingdom.

By my calculations, this is the longest period that I’ve spent inside the borders of the UK in my entire life. How lucky am I?

The next longest gap without stamps in my passport was between my eventful visit to pre-revolution Egypt and perma-conflict Palestine in January 2010 and cycling (and eating) around post-revolutionary Tunisia in February 2012.

2010-2012 was the two year period was when, after a series of thoroughly entertaining hitchhiking adventures, I decided to stop flying.

You all know the reasons for the latest hiatus in my stamp-collecting. That doesn’t mean that the last two years haven’t been full of adventures.

I have completed over 3,000km of a modular reconstruction of my first flightless adventure, cycling around the coast of Britain. Last year, with Thighs of Steel, I cycled most of the world’s largest bike-powered GPS art, 2,208km of generosity and solidarity.

Confinement to the country of one’s birth is hardly a punishment for people born in peacetime.

Indeed, the first lines of William Blake’s great anti-war poem, Auguries of Innocence, can be read as a mission statement for travellers:

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour

Travel has depth as well as breadth.

Many of my most transformative travels have taken place no more than a few dozen miles from my front door. Many of my more far-flung outings have left nothing but the merest trace of an impression on the wax of my sloppy mind.

Nevertheless, to travel beyond our borders, and beyond the hem of the common fabric of language, is to travel more easily into empathy.

Empathy can be thought of as an inverse function of our comfort zone. The more comfortable we are, the less easily we will be able to empathise with those less comfortable.

As I have written before, travelling to a foreign country is an easy way to leave your comfort zone, become conscious of the ‘intractable conditions’ of your own existence and, as I have not written before, develop your empathic muscle.

In a foreign land — the more ‘foreign’ the better — we are at an immediate disadvantage.

Even something so simple as catching public transport is an adventure riddled with peril. We don’t know the rules and we struggle to ask for help because we don’t speak the language.

Foreign travel, if we allow it, is an empathy machine.

And this was what Blake was driving at with his paradoxes: to make us feel, first gratitude for what little we have, and then empathy for those that have less.

Every Morn and every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night

To capture this transformation in a single moment, as we arrived into Gare de l’Est, a long announcement came over the public address system in the unfamiliar diphthongs of a deeply foreign language:

Ukrainian.

~

The unexpected juxtapositions, misunderstandings, mistranslations, missteps and pratfalls of foreign travel, it has to be said, are also bursting ripe with pure silliness.

Under the very silly tour guidance of The Tim Traveller, where else, of all the entrepots, bordellos and gin-joints of the world, would we end up but here:

In Rudenoise.

Tim unreliably asserts that ‘Rudenoise’ probably translates as ‘raw hazelnut’ since the valley of the Marne, in which Rudenoise is nestled, is hazelnut (and champagne) country.

So it’s entirely appropriate that, since we arrived, I’ve eaten very little that hasn’t contained noisette. More specifically: chocolat aux noisettes, AKA Nutella.

(There were, on close examination, precisely zero vegan options in the boulangerie, but I have a cure for that if you keep scrolling.)

The nut in Nutella is, of course, hazelnut. In fact, the makers of Nutella, Ferrero, use a staggering 25 percent of the world’s supply of hazelnuts, nearly 70 percent of which is farmed in Turkey.

Harvesting hazelnuts is, I never realised, a dangerous job. The pickers — most often underpaid, overworked migrant labourers from Syria or Kurdistan — are sometimes roped up to protect against a deathfall from the steep rocky slopes.

But here in the Marne, we’re a long way from the harvest — the hazels are only now showing their catkins and, besides, the fields are crowded out with rows and rows of the more profitable champagne grape.

A bridge takes us over a ditch and onto the ‘L’île de la Rudenoise’, a small nature reserve of muddy paths, bare trees, and a burbling brook.

A young woman walks past with a wolfhound.

An information board tells us that trout eggs require a cumulative 400 degrees of temperature before they will hatch. So 50 days in 8 degree water or 40 days in 10 degree water, for example. If the water is boiling, we surmise, the eggs will not hatch.

An old woman comes down the hill towards us, making her way between the neatly trained vines.

‘I can’t feel my fingers,’ she says with a grin, holding them out to us.

The crimson of her painted nails are stark contrast to the white of her blood-drained palms.

~

Keep your eyes locked on The Tim Traveller channel for a sunnier day when Tim will finally do some filming at Rudenoise.

As I was tramping over the clitter scattered in the moorland of Manga Hill, on the approach over the brook to the ruins of Teignhead Farm, I noticed that adventures, like most stories, follow a three act structure.

Act One

The adventurer-to-be is going about their mundane daily life when they first hear the ‘call to adventure’. A conversation overheard on a bus, an interview on a radio station, a tantalising glimpse of a map — or a nagging question in the back of their mind that won’t go away.

But they ignore the call because mundane daily life is kind of okay.

Then, perhaps all-of-a-sudden, perhaps in a glacial process unfolding over the course of decades, the adventurer-to-be realises that mundane daily life is not kind of okay anymore — and it won’t be until they scratch that itch and answer the call.

Emboldened by wise mentors, whether in person or culled from books, documentaries or the internet, the adventurer-in-waiting prepares for the journey ahead.

Preparation doesn’t have to mean much, maybe just a toasted bagel, but generally there will be at least an intake of breath between the adventurer accepting the challenge and then leaving the comfort zone world of Act One.

Act Two

This is what we usually think of as the adventure. It begins the moment we cross the threshold, board the train, slip our mooring, or step through the looking-glass.

Even though we may very well still be sitting in our own living room, everything has changed. We have entered the topsy-turvy, ‘funhouse mirror’ world of adventure.

They do things differently here. There’s a different logic, different rules for us to learn.

Strange things happen in this strange new world. With any luck, some of those things will be great fun and we’ll feel excitement rather than fear.

But, guaranteed, some of those things will be scary. They will challenge us. This is built into the definition of adventure. We left behind our comfort zone at the end of Act One, remember?

In adventuring terms, Act Two can last as little as five minutes or as long as five decades. There might be one little hurdle to jump or a seemingly endless series of Herculean obstacles to overcome.

However long the adventure, there will come a ‘point of no return’ when to push onward is easier than to return. For me, on my ride around the coast of Britain, this happened at Scarborough, the first town I came to where a return ticket home tipped over the £100 mark.

There may also be some sort of ‘crisis’ moment where the adventurer can fall no further and a ‘revelation’ when they realise how they must change or adapt before they can come through alive.

There are all kinds of other story elements that may or may not appear in an adventure: a moment of false victory or false defeat, ‘bad guys’ closing in, ‘the dark night of the soul’, a brush with death that ‘raises the stakes’, a ticking clock and so on.

Whatever happens, our adventurer does eventually have to leave the adventure world and return to the comfort zone world of Act One — where they discover that the world or they themselves have changed.

Act Three

Change is a baked-in part of adventure. Greek philosopher Heraclitus once wrote:

No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.

If that’s true for an adventure as small as stepping into a river twice, then bloody hell it’s true for whatever happened in Act Two.

Even if an adventurer finishes Act Two by building a cabin in the woods and never returning to the physical world of Act One, they’ll find one day that the cabin in the woods is no longer the world of adventure and has become their new comfort zone.

The world, and the adventurer, have changed.

The End

Or is it?

What I found exciting about the parallel structures of story and adventure is the implication that, just as you can tell a story about anything, so you can have an adventure about anything.

Back in the olden days, most stories were written about adventurers, and those adventurers were usually called ‘heros’ and they were usually men and they were usually fighting or being smartasses or harassing women or looting dragon caves or whatever.

But nowadays most stories are not written about these ‘heros’. The stories of humanity have become much more complex, much more interesting and cover every imaginable subgenre of human experience.

Paranormal romance, fine, but how about extraterrestrial sex fetish with a twist of French philosophy? It’s a thing.

The same is true of adventure. Adventure today is not man versus wilderness. Adventure today is so much more complex, so much more interesting and covers every imaginable subgenre of human experience.

I happened to be wandering the moors when I made this connection. But, in many ways, this kind of classical wilderness adventure is the least adventurous thing I could be doing.

My experience is now more heavily weighted towards a familiarity with wilderness; wilderness is creeping into my comfort zone. (Doesn’t stop me getting sucked into the mire up to my thighs, mind you.)

After two years of walking Dartmoor, I find myself heading back to Act One. Perhaps now I need to step through the looking-glass and into another world, another genre of adventure.

Anyone know any decent French philosophy?

~

Further reading

If you like reading about how adventure fits into everyday life, then I can recommend Al Humphreys’ book The Doorstep Mile.

A note on the title of this piece

It’s unfortunate that Joseph Campbell’s problematic description of ‘the hero’s journey’ has become the abiding popular reference point for story structure.

Campbell’s ‘monomyth’ is not only a hugely reductionist and wildly inaccurate piece of folk story analysis, it’s also been unhappily described as perpetuating racist, sexist, classist and despotic norms.

I like to think that the Adventurer’s Journey is not so much these things. At the very least, ‘adventurer’ is not a gendered word like ‘hero’.

However, I am conscious that artist and comic book illustrator Alice Meichi Li’s criticism of Joseph Campbell is still applicable to my description of adventure:

[It’s] the journey of someone who has privilege… In the final chapter, they may end up on equal footing. But when you have oppressed groups, all you can hope for is to get half as far by working twice as hard.

The end-of-year rush to reach 100 adventures has passed — I actually ended up with 102 due to an accounting error and a wonderful New Year’s Eve hike through Dartmoor.

And so here we are again, back at zero. Or one, thanks to a wonderful New Year’s Day hike through Dartmoor. Start as you mean to go on.

This is the double stone row at Hurston Ridge. It was constructed thousands of years ago in the midst of a dense forest of alder, oak and hazel, most likely as a form of crowd control for Neolithic hunters waiting to have their crack at The Beast Of Dartmoor.

Sometime between lunch and afternoon tea on New Year’s Day, my companions and I processed solemnly down the stone row. It was a powerful moment that symbolised the transition from old year to new and from dry feet to soggy.

I love New Year for the same reason I love Mondays, birthdays, anniversaries, solstices, equinoxes, new moons, full moons, Kalends, Nones and Ides.

I relish the opportunity to exploit the psychological power of an arbitrary date on which I can wipe clean the soiled and besmirched slate of my own personal biography and, indeed, fate.

At these slate-polishing moments, I can afford myself the time to look back over the past year / week / month / moon / ancient festival season and decide that everything from this day forth shall be different (or the same, depending).

As the business management psychologists like to say, I use ‘salient temporal landmarks’ to create ‘new mental accounting periods’, which ‘relegate past imperfections to a previous period, induce [me] to take a big-picture view of [my] lives, and thus motivate aspirational behaviours’.

Yes, I have multiple lives. (At least that’s how it feels at the moment.)

That is why, after a short period of reflection (I think I was waiting for some soup at The Old School tearoom in Belstone), I arrived at the decision to reprise my 100 Days of Adventure adventure for 2022.

Why? Because I know from experience that adventures in the G.O.D.* make me a healthier and happier human being and I also know from experience that, unless I hold myself to account by counting them, one by one, I will adventure less and subsequently feel less healthy and less happy.

It’s simple. So simple, in fact, that I’m surprised that few people count the really REALLY important things in their lives.

Lots of people count their money, many people count their steps, but I haven’t met anyone else who, say, counts the number of friends they see every day — and what could be more important than that?

Whether it’s adventures, friends or enthusiasm that you want to maximise in 2022, I’d gently encourage you to add one little extra flower to the bouquet of your New Year’s Resolution: a simple, irrefutable way of tracking your serene progress.

Oh, and ideally a means of holding yourself to public account, such as by writing an unbroken chain of 302 weekly newsletters…

Welcome to 2022, people — it’s going to be a blast!

~

*Great Out Doors. Despite the fact that it doesn’t really work, I’ve been eccessively delighted with this acronym ever since I discovered it back in 2018. Please share widely. I’ll figure out a way to monetise it later.

Leaving the car at the Picket Plain viewpoint, I stumbled quickly through heath and gorse and mud, using the light of the moon to see the pathshine and feeling my way over the contours.

I worked my way over the valleys and into the woods, the fractals of the trees in their winter coats standing brilliantly against the sky.

As the year scribbles its way to a close, and penned in by the invisible boundaries of good health, I’ve spent the last week sketching out adventure close to home.

I’m often asked what kind of experience counts towards my 100 Days of Adventure challenge. The answer isn’t very satisfying: you know an adventure when you have one. You can’t always predict it; it’s something you feel.

That’s why we call it having ‘a sense of adventure’.

Darkness definitely eases back the threshold of adventure. Indeed, psychologists at the University of Bhunkum have found that adding the words ‘at night’ or ‘by moonlight’ to any activity increases its AQ (Adventure Quotient) by an incredible 308 percent.

• Getting lost in the woods: annoying
• Getting lost in the woods at night: adventure
• Climbing a tree: fun
• Climbing a tree by moonlight: adventure

See? This is why wintertime is the best time for adventures: darkness falls in late afternoon, leaving ample time for adventure before cocoa and bed.

This reframing turns our usual seasonal preferences on their head: the long summer evenings are a barrier to adventure, not an opportunity. Winter is where we get our kicks, sunset marking time to shut the laptop and pull out the map.

Equal parts terror and wonder

Feeling the sublime sense of awe is pretty good for us humans: falliable scientific experiments have shown that these wow-experiences can make us happier, healthier, brainier, humbler and kindlier.

And nature is the ultimate awesome experience, equal parts terror and wonder.

That’s what I thought as I rambled through the Purbecks on a foggy Sunday night, anyway.

The Purbecks are famed for their crumbly white cliffs, dropping sheer into the rocky water from the pleasant and abrupty terminated grassy heath above.

On a clear day, it looks a lot like this:

For daredevils, there is a narrow spit of land connecting to a lonesome chalky pillar. The cliffs tumble away either side and you can look down into your doom and see it swirling in the foam below.

On a clear day, it looks a lot like this:

On a wintery night, when the sea fog has rolled in after dark, it doesn’t look anything like this at all.

All I can see, as I creep out into the void, is the ghostly white of the chalk and the angry foam of the waves.

I lie down, nothingness either side of me, wind howling above, sea raging below, and I laugh. This is why they named this place for the devil: Old Harry Rocks.

Cut off from the solid ground of the heath, I imagine a shadowy figure looming at the end of the lace thin path. Cackling with delight, I crawl back on my hands and knees.

That’s awe.

Ignore your smoke alarm and look up

Of course, awe is much more safely experienced by simply looking up on a clear night. The key word there is ‘night’. This cannot be done during the daytime. Score another point for winter’s early evenings.

(Yes, ‘clear’ was also a key word. Unless otherwise stated, assume all my words are key.)

I’m sure we’ve all stared up into a wintery sky and felt very small. Nothing turns burning the toast into the insignificant annoyance that it is faster than boggling over the number of stars in the universe.

So ignore your smoke alarm for a second and imagine: how many stars are there in the Universe? More than there are grains of sand in the world.

Having said that, more prosaically, on a night like tonight, using the eyes that evolution gave you, you might see anywhere up to 4,548 stars — although that number will depend greatly on light pollution.

Each one of these stars is its own solar system, each one is home (potentially) to billions of lifeforms, each one enjoying the unfathomable richness of your own earthly experience. Take that in for a second.

Now switch off your smoke alarm.

Given that it’s nighttime, the closest star you can see in the northern hemisphere is Sirius, the Dog Star, about 81 trillion kilometres away.

The furthest star that humans have ever clapped eyes upon is called Icarus, and it sits in the night sky about 5 billion light-years away from Earth. A light-year is more than 9 trillion kilometres.

Our galaxy, the Milky Way, holds about 300 billion stars and the billions of other galaxies scooting along around us mean that there are about 70 billion trillion stars in the observable universe.

Beyond that..?

Silence, Senses, Solitude

But the value of nighttime is not only the ghoulish darkness or the Mills & Boon soft celestial lighting: nighttime, especially in winter, is also a time of solitude.

I met no earthly being but horses during two evening rambles through the New Forest and the Purbecks this week. On two similar daytime adventures in the Forest and the Heath, I could hardly move for chirpy off-schoolchildren and professional dog walkers.

That solitude brings with it the gift of silence — which is itself the gift of sensory abundance, for even the most silent night is full of sound.

The stochastic comforts of matter moving through matter. The crackle of boots through leaves. The percussive snap of twigs under weight. The creak and rustle of unseen insects laying a trail.

The darkness sharpen other senses too: I smell the moss-sucking damp of the bog before my boots get wet. Movement, real or imagined, is enhanced in my peripheral vision. My skin tingles, every follicle straining for sensory input.

I followed the stars of Cassiopeia out of the woods and back up towards the A31. The mud on my jeans gave me away to the petrol station attendant.

I feel a sense of adventure.

Your sense of adventure can be sharpened, in order of descending visibility, by haze, mist and — as I enjoyed on Sunday night in the Purbecks — fog.

As the waves of the English Channel hurled themselves onto the white cliffs below, clouds of water vapour condensed around the flecks of salt in the cold air.

I was navigating towards the obelisk of Ballard Down. To give you some idea of visibility, here’s what that imposing monument looked like at ten paces:

Definitely a night to practice my navigational instincts.

• Use all your senses, starting with your common sense. Foot feel is your most reliable feedback system in fog. Sound, smell and sight are also useful and sometimes combine to make an inexplicable sixth sense: if you get a funny feeling that you might be going wrong, pay attention.
• Fog is low-lying cloud, so if you need to use a torch (generally you don’t if your night vision is switched on), then hold it at hip height or lower, otherwise it’ll just reflect water vapour back in your face.
• Contour lines are your best friend: you can feel them through your feet and if you’re walking up a steep hill or along a ridge you can often see a change in shadow below the line of the fog.
• If you really can’t detect anything, not even a contour, lie down on the ground and see if the view is any better from there. If you’re worried about cliff edges, a crawl is safer than a walk.
• Expect a discombobulating sense of vertigo if you stare into the fog for too long: keep your eyes moving and check in with solid ground every now and again.

One of the consolations of winter is the growing role of the moon and stars in our lives. Last night, I watched the moon rising in a fine crescent over the sea, backing into the inky gap between Jupiter and Saturn.

Together with Venus, these are the easiest planets to spot at the moment because, at dusk, they form a nice easterly curve up from the horizon in the southwest.

As the night deepens, you’ll be able to pick up the constellations ever present in the northern night sky: the two Bears, Cassiopeia, Cepheus and Draco the serpent or dragon.

The first three are important to the nightwalker: the constellation of Little Bear holds the North Star and, when you know how to read them, both Cassiopeia and Big Bear point the way north.

Fascinatingly, the head star of Draco was the pole star for the ancient Egyptians, who constructed their pyramids so that the serpent’s head should be visible from the entrance passage.

Because the stars are slowly parading through our night sky, Draco’s head will once again shine forth as our pole star in about 21,000AD. Assuming we make it that far as a species.

In winter, we get the starry show of every child’s favourite pattern of stars, Orion the hunter, who draws his deadly bow in the east.

In fact, I’d go so far as to say that winter is the finest time to explore, not only the celestial firmament, but also terra firma.

The weather is nowhere near as bad as we fear and the darkness brings the twin balms of silence and solitude.

I hiked about 72km over four days while on Dartmoor and saw no more than eight other human beings the whole time — and only one group of four who were close enough to bid good day.

The only action that broke the peace were military manoeuvres: four helicopters ploughing furrows in the sky over my head for half an hour.

Hiking back up to the car park, following the North Star with Jupiter at my back and Orion by my side, I saw two headtorches bobbing in the distance. I passed an empty tent.

Dartmoor is the only place in England where wild camping is allowed without seeking permission from the landowner.

Unfortunately, reactionary forces are trying to ban camping in many of the most popular places on Dartmoor, including around the quarries of Foggintor, where I spent my first night’s wild camping on the moor in 2020.

It’s a beautiful spot and, crucially, it’s easily accessible from the road on foot or bike.

It’s an area where many people like myself will have had their first wild camps before building the confidence and the skills needed to safely camp in the more extreme environments of the open moor.

I understand the reasons why the Dartmoor National Park Authority are trying to curtail our right to the land: humans inevitably damage the environment they travel through.

But the popularity of Dartmoor after the easing of lockdown restrictions in the summer of 2020 need not be the trigger for ranger patrols and keep out signs.

First time or inexperienced campers can be the most destructive because they simply don’t know how to behave in the outdoors yet.

So teach them.

(Did I mention that I’m an outdoor instructor?)

The Dartmoor National Park Authority has also identified a problem with ‘fly camping’ — disposible dump and run campers — as well as with hordes of revelling ravers.

These problems crop up where there is immediate road access. So is there reallly any need to change the byelaws when camping within 100 metres from a road is already banned? Not to mention the byelaws that prohibit noise disturbance.

Even so, similarly popular areas near to roads, towns and rivers have also been removed from the proposed camping map. It amounts to an 8 percent cut in the allowed camping area.

This doesn’t sound like much, but if those areas are where first time campers are most likely to be able to access, then it’s a huge barrier for people ‘not like us’.

The outcome of these proposed changes is that campers who are not white, wealthy and middle class enough will be discouraged from communing with one of our last expanses of wilderness.

How depressing.

Other proposed changes to the Dartmoor access byelaws include:

• A clear ban on van or car-based camping, and even the occupation of a parked vehicle after 9pm. So I can’t prepare a bit of night nav or stargaze under some of the only dark skies in England?
• A ban on tents of more than 3 people and groups larger than 6 people. So what — no families, no school groups, no Ten Tors expeditions?
• A ban on hammocks suspended from trees. Fair enough. I’m not sure this needs to be in place for the biologically dead pine plantations, but byelaws aren’t built for nuance.
• A ban on the gathering of fuel, as well as the lighting and tending of a fire. Camping stoves are still fine. I get it, but this is another byelaw that falls under the heading of ‘litigation, not education’.
• A ban on mass participation activities involving more than 50 walkers or 30 cyclists.
• A clarification and extension of the ban on paid guides and instructors. This inexplicable byelaw is ignored by almost every single school expedition, but hey.
• A ban on the use of drones. At last! Now if they could only ban those blasted military helicopters who strafed my peaceful walk up Cocks Hill…

Through the window, as I write, I can see rusty-coloured containers, rusty-coloured cranes and rusty-coloured clouds. We must be approaching Southampton Central.

This week I’ve transitioned from bikes to trains, clocking up over thirteen hours on one or other of these coupled carriages, entertaining myself by reading books about Trainspotting and Breath, or estimating the proportion of mask-wearers in the population.

(FWIW: Mask-wearing varies wildly depending on time and location, from about 30 percent on the morning platform at Bournemouth to an impressive 80 percent on the London Underground in rush hour, before crashing to 5 percent on the train home after kicking out time at the pubs.)

Thank you so much for all the lovely comments on the last two weeks’ worth of stories from Wales. Stories in the Lamplight is already the ninth most-read post in these archives, so thank you to those of you who shared it around.

I’m glad the stories resonated: it feels like passing on the chain of connection, from the lives I crossed in Wales, through my brain, to yours—and after that? It’s up to you.

I passed along a few morsels of bike touring advice to Documentally this week. Tomorrow, he’s setting off on the longest ride of his life and asked me a few questions about route planning and lightweight tents.

As always, my advice feels like nothing more than reassurance that the dream still fits the plan. Quite simply: the more people do this sort of thing, the more people do this sort of thing.

Besides: the student has already outdone the master (ha!) with both the title of his tour—Cycling Hertz—and the generous fundraising he’s inspiring throughout his network.

Documentally and about fifty other cyclists who give a damn have managed to raise over £22,000 for Choose Love with Thighs of Steel this year. That’s enough love and solidarity to run a refugee drop-in centre for three months, or to pay for an expert caseworker to support unaccompanied refugee children for a whole year.

At a time when proposed changes to the asylum system are at risk of criminalising humanitarian organisations like the RNLI—our seaside lifeguards—it is important that we show the whole world that Britain still welcomes those fleeing persecution, conflict and terror.

This money is precious. This money sends a message.

We’re not finished yet. There is still space for you to join us, either as a DIYer like Documentally or as part of our supported Guinness World Record attempt.

Together with co-conspirator Georgie Cottle, I’ll be cycling more or less the whole 2,400km world record route, all the way from Holy Trinity Church in St Austell on 16 August to the Port of Dover on 18 September.

We leave in less than ten days so I’ve been frantically calculating elevation stats, ordering crates of chocolate and ginger flapjacks, and panic-phoning bike shops trying to source a 22T chainset.

The first four days’ cycling are each over 100km, with more hills than you’d get climbing from the sea to the summit of Ben Nevis. I thought Wales would prepare me. I was wrong.

The white-haired woman across the aisle announces to a disembodied ear that she’s on the train, on the way back from a funeral. A young man in headphones confirms the next stop to the dark eyes, dark curls peering over the seat in front. Two more bikes, belonging to unseen, potbellied cyclists, are strung up with mine in the vestibule, swinging on their meat hooks.

Hiya everyone! This is your onboard catering crew, Angela and Adam. If you’re feeling a bit hot and clammy, we’ve got a selection of cold drinks available. Water, wines, OJ, beers, Prosecco. We’re also happy to have a little chat if you’ve been watching Love Island or the Olympics—with one person at a time in the buffet car.

A funeral, an ear, headphones, dark eyes, potbellies, lifeguards, cold drinks, sweet dreams, used tickets, worn tyres. The seams between all these lives run like laughter lines across the face of our experience.